8 Tips To Finding A Literary Agent by Jennifer Brody

Film Courage: Let’s take the hypothetical
author who has just written their first novel and now they’re looking for an agent. What steps should they take, how committed
to that book should they be? How free should they be to say “Maybe this
isn’t the one?” Jennifer Brody: I mean I think it’s always
worth…at the time you write your book, you’ll be so attached to it and so in love with it,
it will be heartbreaking if you don’t get agented or if it doesn’t sell even though
that’s really typical. My advice is once you start the querying process,
is to start writing your next book so you have something else that you’re focused
on and you know that it’s not the end of the road. Sometimes it might take an author several
books before they find an agent. That’s not uncommon. The things I really recommend are workshopping
a lot, taking classes (I teach at the Writing Pad) which have a workshop component. Or I workshopped the book that I sold (The
13th Continuum) with Meg Wolitzer who is one of my favorite authors. I also workshopped with Victor LaValle who
is another one of my favorite authors. And I would go to conferences and try to meet
people and it really improved my writing. For the querying process it really is finding
the agents who you think are the best fit that are open to submissions and then really
following their guidelines. Writing a great query letter, spending a lot
time getting that perfect and then publishing moves very slowly. So it can be months and months and months
process of even just hearing back from one person. And then once you’re going on submission,
it can be months and months and months and months because they get inundated with so
much material. So I think that the best way to handle it
is to then also be working on something for yourself otherwise, if an agent comes back
to you and says “Hey, I really like your book. But I’m not sure I can sell this but I’d
love to see what you do next!” So then you can say “Hey, I’m going to
be doing this next” and then you can come back to them. Film Courage: So with the query letter, did
you have a template that you found where you just kind of changed the names and dates? Jennifer Brody: No…[laughs] not to that
extent. There are a few good websites online that
will show the format. So the format is something you really want
to follow and stick to, although I don’t think you can really do just like changing
things because a lot of it is like writing that really ‘hooky’ elevator pitch, making
sure you have a great bio that is concise and descriptive because when they’re looking
at a query letter, that is the first example of can you write well? So the query letter really needs to be written
well. And I also think ideally in a tone that really
reflects your book, which is to say especially the synopsis. If your book is really kind of snappy and
witty, then your synopsis probably should be somewhat in the same vein to convey that. And then in terms of personalizing it, I think
it is really worth while when querying agents to personalize to them which is to show some
knowledge about what books they represented, what types of genres they like (if you were
a big fan). Like my agent had sold the Devil Wears Prada,
which I absolutely loved. You know, let them know that you loved this
book and that you’re coming to them because you know who they are. You know who their agency is…I think if
you personalize. And even better if you have a personal connection
or some way. Like you’ve been at a conference where they
spoke even, it doesn’t even have to be that you knew them…just “I saw you at the X
Panel at the AWP Conference and I was really impressed and I am coming to you.” So I think that those things really help a
lot. It’s just like an editor friend of mine
who used to work at Harper Collins. She told me in the beginning, “It’s like
dating.” She’s like “You’re going to go on a
lot of dates.” And I think that is really accurate because
you really are looking for the right fit. Being unagented is actually better than being
with a bad agent. And it doesn’t seem like that would be the
case, but it actually is. Someone who isn’t a good fit for you, who
isn’t doing your work justice can actually do more damage than just not having an agent. So I just think it’s very important to make
sure that it is the right fit for your material and for you because they really need to be
your cheerleader. They really are the person who is going to
be helping you through the crazy process of trying to find a publisher. And ideally also someone who is in it for
the long haul and will stay with you when your first book doesn’t sell because that’s
so common, who is going to be there for your next book who will still represent you when
you switch genres and come back and say “Hey, I’m writing YA Sci-Fi now…can we still
do this?” I was very lucky that my agent has stuck by
me and has been amazing through this whole process. And she’s responsive. She responds to my emails right away. I know a lot of people will struggle with
that sometimes. If your agent is not getting back to you,
yeah…I think that’s a real problem. So I think it’s really important to find
the right person. Film Courage: Can you give some other hypotheticals
(such as) how being sort of unagented might be better than being with the wrong pairing? Jennifer Brody: Yeah. There are a bunch of different ways. I used to go and either meet with or speak
with some pretty well-known authors they used to say things like “I’m so glad that my
first book didn’t sell.” And it’s so hard to see that at the time. But I was hanging out with Andre Dubus III
who wrote the House of Sand and Fog, which was a best selling book. He’s been on Oprah. And his dad was the biggest short story author
ever. So the guy had connections. But I believe I asked him “The first book
you ever sold, how many had you written?” And I think he said 3-4. It was quite a few. And this was a guy who had publishing connections
and a writing degree and all those fancy things. And the thing about it when you’re first
writing, you’re developing your craft and you get better. So a lot of times the first thing you write
isn’t in the sweet spot of what you’re supposed to be writing. And a lot of times you will look back and
be like “Wow! I really was undeveloped. It really was better that this was the stage
where I sold a book. And being an author is a little different
from some other creative professions. Because you don’t really age out of it to
the same degree. I mean sure, publishing loves the young 22-year-old
who has the hit book like Veronica Roth who wrote Divergent (Series). Yeah, they love that narrative but a lot of
times authors are going to write their best work when they get older. 30, 40, 50, 60…I mean Frank McCourt who
wrote Angela’s Ashes, I think he wrote that when he was about 50 or 60. That’s one of my favorite memoirs of all
time. A lot of my favorite authors who are producing
work are not young people… Film Courage: Ursula Le Guin… Jennifer Brody: Ursula K. Le Guin is amazing. I am obsessed with Stephen King. I think he’s a genius and I still read all
of his books. And he’s still publishing a ton. I still read Anne Rice. But then there are other people. I know Philip Roth retired only recently. I mean he was writing books up until a couple
years ago. And I think a lot times they are producing
their best work. Like Cormac McCarthy is writing some of his
best books within the last 10 years and he is not a young man. So I think that we develop over the course
of our writing careers. I like to look at it as, I’d hope to write
many, many, many books and I hope to get better as I do. So really kind of cultivating that. Question for the Viewers: What is your experience
in seeking a literary agent? Any insights you can share?

9 Replies to “8 Tips To Finding A Literary Agent by Jennifer Brody

    BIMBO – " How committed should a arthur be to any publishable material they produce???… "
    Agent of Sin " Well to be honest most the time there stuff isn't copyrighted nor has any unique characters names, phrases and book title been trademarked so we will just steal them and pass them on to people who are currently in the industry for small monetary value because after all we got it for FREE LOL OOOPPSS…. "
    BIMBO " SO should they be willing to hang on to there material because after all they created it and laws clearly state moment someone creates something they take owner ship of that material….. "
    Agent of Sin bust out hysterically laughing and says " Good one to funny no one wins in court we just lie lie lie and back date orgine of creation I mean in last 100 years has there ever been really a successful case of this when a simple commoner nobody is pointing the finger…. "
    BIMBO " TO FUNNY I guess your right no one must get in then and that's why your so strongly tight lipped about anything you say???…. "
    Agent of Sin " Totally don't need to stop the 200 year old operation of 1000% free cash from flowing in…. You would think that someone would catch on and stop us but after few 100 years the free money keeps pouring in… "

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